![]() The key here is that you must be involved in the process. Better yet, have your DP draw the storyboards. Or you can recruit your friend, buy them lunch and spend the rest of the money on your movie. If you have a bunch of money lying around, you can hire a professional. While Scorcese and Haneke draw their own storyboards, many filmmakers-including the Coen brothers-use a professional storyboard artist. Otherwise, all that text could be more confusing than useful. If you write a prose storyboard, it’s a good idea to do one description per shot (instead of describing the entire sequence like a comic book style storyboard). You haven’t completely translated it into a visual language, but you’re on your way there. It’s a silly example, but you could draw it from that description. When they raise their gun it almost fills the frame, but their eyes remain in focus. The wide lens exaggerates their grim features. The camera starts on the enigmatic stranger’s black dress shoes as they step out of the car and lifts up past their gray suit and up to their black tie and steely eyes. What would you tell them to draw? Be as descriptive as possible, you can always edit it down before you hand it off to your DP. Pretend you are sitting across from a storyboard artist. If you are afraid to draw, consider writing the verbal equivalent of a storyboard. The following are seven ways to create awesome storyboards, even if you can’t draw. There are several ways to make useful storyboards for the pencil-averse. If you never write down your hypothesis, you won’t know why your experiment succeeds or fails. Storyboards don’t just help you make a good film-they can help you make the next one even better. Think of your storyboards, in concert with your script, as the hypothesis for your experiment. If you’re a newer director, creating storyboards is a great tool to investigate your vision, create more precise films, and save time on set. ![]() They also work with the same Director of Photography on almost every film. However, these directors typically made several films before ditching storyboards. There are a few directors, including David Cronenberg and Christopher Nolan, who skip storyboards. Source: The Martin Scorcese Collection, NY Others, like Martin Scorcese, use professional storyboards mostly for action sequences, relying on quick sketches for other scenes. Some directors, like the Coen brothers and Michael Haneke, storyboard exhaustively. ![]() Storyboarding is the gold standard of visual planning. Storyboards are the cheapest and most effective way to explore your visual strategy and communicate that vision to your creative team.
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